Editing one short-form video takes the average creator 30 to 60 minutes. PRIZM does it in seconds — and not just one clip. Upload a long video, a podcast, a recording — anything — and PRIZM edits, captions, designs, and ships every short, long-form cut, carousel, text post, and image that comes out of it.
The one-stop shop for everything you used to spend your weekends making.
Drop a long video, a podcast, a screen recording, a deck — anything. PRIZM doesn't just clip it. It edits, captions, designs, and reformats every variation your audience expects, on every platform you post to.
TikTok · Reels · Shorts — captioned, cut, on-brand
YouTube · podcast feed — chaptered, intro/outro
LinkedIn · Instagram · X — slide decks from the same idea
X threads · LinkedIn posts · Threads — your voice, your hooks
Quote cards · stat cards · pull-quotes — branded automatically
One idea. Thirty-something pieces of platform-native content. That's the entire pitch.
Most creators, SMBs, and agencies don't have an ideas problem. They have a production problem — a punishing tax on every idea before it can ship.
One TikTok takes 45 minutes if you know what you're doing. Five a week is four hours of nothing-creative-about-it work. You didn't start posting so you could become a video editor.
Vertical for TikTok. Slightly different aspect for Reels. Square for the carousel. Captions in this style for LinkedIn, that style for Instagram. The same idea now takes you six versions to ship.
Your audience is on five. But you only have hours for two, so the rest go quiet. You know what posting consistently across the board would do for you — you just can't afford the time it'd cost.
Briefs. Revisions. Back-and-forth on captions. Waiting on edits. Paying $30–80 a clip while the queue piles up. The faster you scale, the more bottlenecked you get.
PRIZM doesn't make you a faster editor. It removes editing from the job entirely.
This is the work PRIZM removes from your week. Not in theory — every step below is what would otherwise be sitting on your timeline in Premiere, CapCut, or a sticky note on your monitor.
Auto-transcribes the audio word-for-word. Finds the moments worth keeping. Picks the cuts. Aligns captions to the syllable. Skips the dead air.
Your colors. Your fonts. Your motion. Your caption style. Lower-thirds, accent bars, vignettes, grain — every overlay tuned to look like you, not a template.
If you didn't shoot a b-roll cutaway, PRIZM generates one that matches your scene. If you didn't film the talking-head, your AI avatar speaks it. Nothing gets blocked because you didn't capture it.
Vertical for TikTok and Reels. Different captions for LinkedIn. Carousel slides from the same idea. Threads from the same script. No re-editing — one source, every shape.
Schedules each piece to the right platform on the right day. You review the queue if you want. You don't review the queue if you don't want. Either way, it ships.
That's the difference between "I'll batch my content on Sunday" and "there's nothing for me to batch."
One upload at the start of the week. PRIZM stretches it across every channel — and keeps stretching it for 30 days.
Run your own brand, your client's brand, your side project, your agency book — all from the same dashboard, each with its own voice, colors, pillars, and cadence. Switching between them takes 100ms.
Every other tool treats a second brand as a paid upgrade. PRIZM treats it as the default. Solo creators welcome too — there's a Solo tier built for exactly one brand.
Sign up before GA — the price you pay on day one is the price you pay forever, even after we raise list prices.
One upload. Every format. Every platform. The hours you spent editing are now hours you spend actually creating, selling, or sleeping — whichever was getting shortchanged.
